Check patterns drums thom hannum
Hannum has published a Textbook and corresponding Student Workbook, Championship Concepts For Marching Percussion, which provide many band programs with a comprehensive foundation for percussion education. He is an active member of the Percussive Arts Society where he has served on the Marching Percussion Committee for 12 years.
Check patterns drums thom hannum series#
Thom is a product consultant and clinician for the Avedis Zildjian Cymbal Company, Evans Drum Heads, the Pearl Corporation, and Vic Firth Sticks & Mallets where he has developed several Signature Series drumsticks and keyboard mallets. He is also a member of the Hall of Fame for the Cadets of Bergen County, and the Crossmen Drum & Bugle Corps. Hannum was selected for induction into the Drum Corps International Hall of Fame. Thom is also a charter member of the design team for the Tony Award-winning show Blast! He is known internationally for his work with the DCI World Champion Cadets of Bergen County and Star of Indiana. Hannum has long been regarded as one of the nation's foremost percussion arrangers, instructors, and clinicians having presented numerous seminars and workshops throughout the United States, Canada, Europe, and Southeast Asia. His contributions were acknowledged when he received the Distinguished Service to the University Award. The three I listed above however are just basics that will help as simple exercises to warm up and prepare for basic things that every front ensemble will come across.Thom Hannum has been teaching at the University of Massachusetts Amherst since 1984 he serves as the Coordinator of the Marimba Band/Marimba Ensemble program as well as Associate Director of the Minuteman Marching Band. Got some crazy rhythms? Make sure you got an exercise so that it feels more comfortable when the show music comes around. If there are chromatic runs, write an exercise for that. Now the other two really just depend on what the show music is. It helps build strength on the block chords notes as well as build up chops on the independents. Doesn't need to be fancy, you can even stay on the same chord. Also try to throw in variations involving crescendos and decrescendos to help with show dynamics. Specifically one that goes up the scales chromatically after each rep. Every pit will experience 16th note runs so there is no excuse for not having a form of this in the warm-up book. Good for building up strength and a starting warm up. A basic eights exercise using double verticals up and down the scale twice. It really is just one way to combine basic interval shifting, with other strokes, such as double verts, single independents, laterals, triple laterals, etc. London Bridge is a Sandy Rennick exercise, as far as I know (please correct if I'm wrong). By combining it with all modes and scale types, you go through get about many variations of scalular pattern which is found in music. The idea is that many basic patterns found in music are based around scales, and it's just a way to work those scales. It's also in Crauss book, so sometimes it's referred to as Crauss scales. Green can be found in the George Hamilton Green Modern school for Xylophone book (thus, name's Green Scales, haha). And i'm not sure of thirds (our school just does like a check scale and like singles) but is it like playing thirds up a scale? Uanaka wrote:Can someone please explain London Bridge and if someone could actually write out the Greene? I understand the sequences but I don't really understand the reasoning of how it was made.